Department for Culture, Media and Sport written question – answered at on 10 February 2026.
Neil Coyle
Labour, Bermondsey and Old Southwark
To ask the Secretary of State for Culture, Media and Sport, what discussions she has had with counterparts in EU Member States on simplifying CITES‑related processes for UK musicians travelling by train to perform in Europe.
Ian Murray
The Minister of State, Department for Culture, Media and Sport, Minister of State (Department for Science, Innovation and Technology)
The UK Government remains in constructive dialogue with the EU on tackling the challenges facing UK musicians when touring, and on CITES‑related processes for UK musicians. Our aim is to identify practical solutions to ensure that UK artists can continue to perform across Europe with minimal barriers while respecting the regulatory frameworks on both sides.
The Government has consulted on reforms to the UK’s CITES framework, including Musical Instrument Certificates, to ensure the system is clear and effective. This consultation provided the opportunity for the music sector to make its voice heard directly on the proposals for fees, charges, and processes, ensuring the unique needs of touring artists are fully reflected in the outcome. The consultation closed on 23 October 2025, and responses are currently being analysed by Defra. The outcome of the consultation, and associated amendments, will be discussed and reviewed across Government. DCMS will continue working closely with Defra and other partners, including the EU, to ensure the impacts on the music sector are properly understood and considered.
In the UK, there are currently 21 sea ports (including one land crossing) and 14 airports designated as official points of entry and exit for CITES-listed species. There are also 2 postal hubs designated for mail imports.
There are currently no plans to make any Eurostar stations, including St Pancras, a CITES designated port following a review by the UK Border Force that concluded it does not currently have the necessary capacity and infrastructure to undertake CITES checks. This will of course be kept under review.
More broadly, we are engaging with the EU and EU Member States, and exploring how best to improve arrangements for touring across the European continent without seeing a return to free movement. Our priority remains ensuring that UK artists can continue to thrive on the global stage.
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