TV Licence Fee — [Mrs Madeleine Moon in the Chair]

Part of the debate – in Westminster Hall at 6:18 pm on 20 November 2017.

Alert me about debates like this

Photo of Brendan O'Hara Brendan O'Hara Shadow SNP Spokesperson (Culture and Media) 6:18, 20 November 2017

My hon. Friend is absolutely right. Tern TV, which Mr Strachan is heavily involved in, is one of the numerous examples of excellent independent production companies making excellent content for Scottish viewers. I wish them all the best for the future, because there is absolutely no reason why we cannot have high-quality, high-value network productions featuring Scottish stories, told with Scottish voices, made in Scotland and using the incredible talent that BBC Scotland and our independent production sector has.

To be fair, BBC Scotland recognises the problem. A spokesman recently said:

“We recognise that there’s a deficit in programming in Scotland;
there’s no doubt about that”.

Everyone seems to accept that there is a problem, but how we deal with it is another issue completely. We had dared to hope that there was light at the end of the tunnel earlier this year, when the Culture, Media and Sport Committee—encouraged and cajoled by the redoubtable Mr John Nicolson—unanimously backed the idea of a bespoke Scottish “Six O’Clock News”. Trials were run, hopes were raised and rumours were rife before being unceremoniously quashed: the fabled “Scottish Six” was not happening. What emerged from the detritus, however—a new Scottish channel—seemed very exciting. It was as if the BBC had said, “You wanted a Scottish ‘Six O’Clock News’; we’re giving you your own channel.” It was immediately welcomed, because the SNP had been urging the corporation to do it for many years. Back in 2009, the Scottish Broadcasting Commission made the case and calculated that a new channel would cost around £75 million a year. That figure is less than half of the shortfall between what the licence fee raises in Scotland and what is spent in Scotland.

So far, so good. The new channel was warmly welcomed by the Scottish Government and across the Scottish political spectrum. Fiona Hyslop, the Cabinet Secretary for Culture, Tourism and External Affairs, said:

“It’s vital that the new BBC Scotland channel has complete commission and editorial independence, and is provided with the funding needed to match ambition.”

Therein lies the rub. The simple fact is that the ambition of the people involved in creating and delivering the new channel simply has not been matched by the funding on offer from the BBC in London. In 2009 the cost of a new channel was calculated at £75 million a year. The new venture is being offered £30 million a year, with £7 million ring-fenced for news.

As someone whose career before arriving in this place was as a television director and series producer, I can say without fear of contradiction that an annual programme-making budget of £23 million is simply not enough to make a quality product. I reckon that the average hourly spend for the new channel will be £25,000. To put that in perspective, for the last series I made for BBC One from Scotland, my spend was £220,000 an hour. That was almost 10 years ago. I have absolutely no doubt that the people employed to deliver the new channel will be extremely able—indeed, I have worked with many of them—but they are not magicians.

What does the BBC director-general expect of the new channel? He told the Select Committee last week that he would judge it on the standard of content produced and that high production values cost money and high broadcast standards are not cheap. He cannot have both. We cannot make cheap television and demand high standards, so my question to him is this: how many of the programmes made for the new channel, as currently funded, does he expect to get a network outing on BBC1?

Scottish viewers rightly demand quality. After all, we pay for it through our licence fee. I do not believe for a minute that they will accept cheap low-production value TV simply because it is Scottish. It has been said by many people, both inside and outside the BBC, including by people with long experience of working in television, that this channel, with its current funding model, has been born to fail. I sincerely hope that that is not the case, but I fear that with such a low programme budget and with no current slot on the electronic programme guide confirmed, the Scottish content faces being ghettoised and people will turn off, allowing the BBC at some point in the future to throw up its hands and say, “We tried, but there simply was not the demand for a Scottish channel.” That is why people fear that this entity was born to fail.

As I said earlier, I and my colleagues welcome the channel, but as it stands the proposed funding model makes it unsustainable, so I urge the BBC leadership to look again at the funding model for the channel and fund it properly, thereby allowing the BBC Scotland staff and the wider Scottish indie community to—as the head of BBC Scotland, Donalda MacKinnon, said—“make something precious”, because that is how it should be. BBC Scotland has the expertise and the staff. The Scottish indie sector is more than capable of delivering high-quality programmes. All that the BBC leadership in London has to do is provide them with the adequate funding to do it. If they do not and the venture fails, there will be a lot of very angry people: viewers, independent producers and BBC Scotland staff. Scottish licence fee payers have been short-changed by the BBC for long enough. This is their chance to redress that. I urge them not to throw away this chance by failing properly to invest in Scotland.