Question proposed, That the clause stand part of the Bill.

The clause relates to an existing regulation-making power in the Health Act 2006 that allows for the Secretary of State to make regulations that permit performers in England to smoke during a performance. The exemption would enable the creation of defences to the offences of smoking in smoke-free places and of failing to prevent smoking in a smoke-free place. It would be available only where smoking is justified to preserve the artistic integrity of a performance.

The creative industry is a significant part of the UK economy, and we have to balance a range of priorities while protecting the most vulnerable and ensuring that businesses are not financially impacted. The Bill aims to protect those who are most vulnerable to second-hand smoke, and we are of the view that the relative harm from the exemption is low. Without the exemption, it would not be possible for a film or TV show that is made in England to include an actor smoking, regardless of how of how integral that might be. The provision updates an existing power in the 2006 Act, so an exemption to allow performers to smoke during a performance is not new. I commend the clause to the Committee.

The Minister is right to say that the clause recasts an existing regulation-making power in section 3(5) of the Health Act 2006, whereby the Secretary of State may make regulations that allow performers to smoke during a performance

“if the artistic integrity of the performance makes it appropriate”,

and is allowed, on that basis, to create a defence to the offences of smoking in a smoke-free place and of failing to prevent smoking in a smoke-free place.

The act of smoking in film, theatre and other forms of art can be a character-defining gesture that speaks volumes about the person’s identity or emotional state, or about the period in history they represent—think of images of Clint Eastwood, John Wayne, Humphrey Bogart and James Dean. It can also establish the period in which a person lived. It was commonplace for virtually everyone to smoke in the 1940s and 1950s, and the smoke swirling around characters became as much a part of their onscreen presence as their dialogue or expressions. Although smoking in real life is certainly not cool, and comes with myriad negative health implications, its role in art and culture can deepen the portrayal of certain iconic figures and their stories.

The Minister says that the exemption has been part of law for a long time, and that it has worked. There are essentially two ways in which a performance can mimic smoking. The first is to have a fake cigarette, six of which can be bought on Amazon for less than a tenner. They look a bit like a cigarette and an actor can hold them, but they do not have any smoke coming from them. My understanding is that currently the most common prop cigarettes used by actors are cigarettes that contain no nicotine and no tobacco but some herbal items. They produce smoke but are less harmful than a cigarette because they do not contain tobacco, and less addictive because they do not contain nicotine.

The Bill provides for tobacco products to be banned for certain generations of people, and adds herbal smoking products to that ban. Could that inadvertently lead to individual actors and actresses smoking tobacco rather than the less harmful alternative, particularly if there is a price differential between the two? Has the Minister considered how the law will apply to actors and actresses who are born on or after 1 January 2009? Will there be an exemption from the other aspects of the Bill, either allowing them to buy the cigarettes themselves or allowing someone to give them cigarettes as a proxy sale, which would currently be banned under the first part of the Bill? At present, actors may be above the age of 18, but the Bill is intended to be future-proof, so if we roll forwards 15 years or so, when younger actors will be banned from smoking and buying cigarette papers and the like, how does the Minister envisage it working in practice?

Freedom of expression is essential to the arts, but the laws and practices that protect and nurture free expression are often poorly understood by practitioners and those who enforce the law. The question is, then: what is a performer? Section 3(8) of the Health Act 2006 states that “performance” can include

“the performance of a play, or a performance given in connection with the making of a film or television programme, and…if the regulations so provide, include a rehearsal.”

That seems a rather narrow definition of performance. Performance art can cross disciplines such as dance on the stage or on the street. If we go to the south bank, just opposite this House, we can see performers performing solo activities on the weekend. Contract law for those engaged in paid work offers some recognition and potential protection for performance-related work, defines it and outlines the conditions of the performance—it is indeed the performer and not other members of the performance who are included.

To create another hypothetical situation, suppose there is an interactive performance in which the performer on stage requires mass audience participation for their act and suggests that the people in the crowd have to join in with them. Would the artistic integrity of the performance trump the laws that prohibit smoking? The line between performer and audience can be blurred, so if an audience member were invited up on the stage by the performer, would they be allowed to try a cigarette or vape? Proposed new section 7(3) of the Health Act 2006 does not suggest that the performance needs to take place on stage or even in the theatre; some occur outside hospitality venues, as we have discussed.

To give a colourful example, imagine there is a performance called “Smokers”, taking place in a pub in, say, Sleaford, in my constituency. It features performers smoking and chatting in a pub. It is quite an experimental, interactive performance, and the members of the audience —in other words, regular pubgoers—can take part in the performance and light up a cigarette themselves should they wish to. Technically, does this scenario not fall within the remit of the law? We have to bear in mind that the tobacco industry is creative in looking for loopholes. Smoking is required in order to preserve the artistic integrity of this alleged performance. Will the Minister provide clarification on this point? Although my examples may sound inventive, the tobacco industry does come up with inventive ways of circumventing the legislation.

My other point relates to performers who are born after 1 January 2009 smoking or vaping on stage. We need some clarity on that.

To follow on from what the shadow Minister said, the Minister said that performers who smoke during performances would not be a problem because the second-hand passive smoking would not be big enough of an issue. But why can a cigarette be smoked as part of a performance, yet a cigar cannot be smoked once a year by a single person? Why is smoking allowed for this artistic purpose, yet it is not allowed for someone who would like to smoke a cigar recreationally?

This is an existing power, in the Health Act 2006, that we have retained in the Bill at the request of the creative industries in England. I reiterate what I said in opening the debate: the exemption will be available only where smoking is justified to preserve the artistic integrity of a particular performance, so smoking would not be allowed in the hypothetical situations we have heard about. The provision is intended solely to allow the artistic integrity of a performance to be retained.

The shadow Minister asked whether the provision would merely encourage actors to smoke tobacco. Of course, that is not the case. Herbal smoking products are covered under “smoke-free” as well, so they are treated the same.

With respect to the Minister, the point was that they are treated the same. My understanding is that, because of the rules around tobacco, actors who are non-smokers are more likely to use a non-tobacco herbal product that does not contain nicotine. Given the Minister’s previous comments about tobacco being more harmful, why not make the exemption specific to products that do not contain tobacco and nicotine?

We are following the request of industry. This is an existing power in the 2006 Act and it is to be used only in the exceptional circumstances in which cigarettes or indeed herbal smoking products are appropriate for the authenticity of the performance. That is exactly what the law is now.

I agree with the shadow Minister that it is not cool to smoke. I may have mentioned in previous sittings that I have been successful in getting not one but four stories in LADbible. One of them made precisely the point that the shadow Minister made: that smoking is not cool and it is not glamorous. It is a dirty, stinking, horrible habit that kills two thirds of people who start it. That is why we are committed to a smoke-free generation.

I suspect that this exemption for the creative industries, which is pre-existing, may become obsolete at some point in the near future, not least because I would imagine that as more and more actors themselves are brought up smoke-free as a consequence of the measures we are introducing, actors will eventually point-blank refuse to smoke a cigarette, whether it adds creative authenticity or not.

As I have said, this is a follow-on from an exemption that was previously granted in the Health Act 2006, which is why I seek the Committee’s permission to retain it in the Bill.

I understand that the Minister is saying this is what the industry is asking for and that it existed before. However, as a result of the change in regulations, people who act as if they are smokers in a video or film are currently able to smoke herbal cigarettes that are designed as prop cigarettes and do not contain tobacco or nicotine. Although it may not be terribly good for their health for them to do so, those cigarettes do not contain the tobacco that kills two thirds of its users, and they do not contain nicotine either. In providing the exemption for the creative industries, will the Minister at least consider providing an exemption for the least harmful version of what will appear to the audience as a cigarette and cigarette smoke, so that we can protect actors as much as possible?

I am open to taking that suggestion away and having a look it, but at this stage it is our intention merely to copy and paste the existing exemption that applies for the creative industries in England, which is what the clause does.

Question put and agreed to.

Clause 137 accordingly ordered to stand part of the Bill.