I wish to make four quick points. First, others have mentioned the plight of freelance musicians and artists, who have been excluded from support because they do not fit the Chancellor’s criteria for support. The criteria were drawn up hastily, and there was an excuse for that, but they were not amended when it was clear that they had arbitrary and negative consequences—for which there is no excuse—for many artists, musicians and others. Tomorrow, the Chancellor has another chance to put that right. In Wales, funds were set aside to help freelancers, but what is really needed is action from the Chancellor to support those who have been excluded, as called for by the Musicians’ Union and others.
Secondly, we have missed the live music sector and could all do with a summer of live music events and festivals. The issue of insurance has already been mentioned in the debate. Last week, I received a written answer from the Minister for Digital and Culture that said:
Well, if this is not the right time for an insurance intervention, there never will be an insurance intervention from the Treasury. This is typical Treasury orthodox thinking. Now is the time for an insurance intervention to make sure that we can have live music back this summer. It would be the best boost not only for the industry but for morale and the economy.
Thirdly, covid has been hard enough for the music industry in itself but, combined with the negligent no-deal Brexit for musicians and touring artists, it is a double dose of disaster. Covid was unavoidable; the consequences of a failure to do a deal on touring were not only avoidable and predictable but predicted. A small window now remains to fix that before many successful British businesses are ruined by this negligence. That should be a priority for the Government.
Finally, let me look to the future. Covid has killed live music, but it can be revived. As we have heard, covid has also shone a light on the inequities of the new economics of music streaming and how it is failing to deliver for music songwriters and composers. The House may know that the DCMS Committee is conducting an inquiry into the matter. Some change is happening already—at 2 pm today, SoundCloud announced that it is going over to fan-powered royalties and a user-centric system, which is a step forward by the industry—but as well as the industry the Government should be prepared, if necessary, to reform the law in favour of creators and away from wealthy corporate market powers. They have been enjoying a gold rush from streaming; after the gold rush, let’s have a “new home in the sun” for our brilliant musicians and songwriters.